Well, Isn't That Provocative

As far as provocative objects go, I’d say Dracula is pretty far up there. In Buffy Vs. Dracula, the writers do a fairly good job of portraying the Unholy Prince-bator. Dracula is an perfect example of the show’s transgressive theme, in that he’s as sexualized and dark as Faith or any other character, and he brings out these characteristics in Buffy by blurring the line between what she is attracted to and repulsed by. Dracula seems to draw on the last episode of Season 4, by trying to reach Buffy on the most primitive level of her Slayer powers, much like the First Slayer did. Unfortunately for Dracula, Buffy is much more open to her darkness than he realized. By now, Buffy has accepted her darkness, and rather than being enthralled by it and allowing Dracula to control her with it, Buffy uses it to her advantage, and the episode ends with Buffy asking Giles to help her learn more about her power.

I think this shows significant growth for Buffy’s character. She’s moving further in her journey as a female hero by seeking knowledge and power for herself, rather than waiting for it. Buffy asks Giles to train her, not just so she can beat the next baddie that shows up in Sunnydale, but also so that she can understand herself better.

Buffy’s new role is also shown by her family situation. She’s having to act like a mother now, caring for Joyce and having to deal with Dawn. It’s interesting that as soon as Buffy has reached a new level of maturity, another young an innocent woman is introduced. Buffy’s position between Dawn as Maiden and Joyce as aging Crone emphasize her new status as a Mother on the wheel of her journey, and can only get more complicated as the Season progresses.